Museum X

Bose, Friedrich von; Poehls, Kerstin; Schneider, Franka; Schulze, Annett; Laffin, Lysette

Bibliographische Daten

Monographie

Strukturtyp:: Monographie

Werks-URN (URL):: https://digi.evifa.de/viewer/resolver?urn=urn:nbn:de:kobv:11-747467

URN:: urn:nbn:de:kobv:11-747467

Persistenter Identifier:: BV048484390

Titel:: Museum X

Untertitel:: Zur Neuvermessung eines mehrdimensionalen Raumes

Herausgeber:: Bose, Friedrich von; Poehls, Kerstin; Schneider, Franka; Schulze, Annett

Sonstige Person:: Laffin, Lysette

Erscheinungsort:: Berlin

Verlag:: Panama Verlag

Erscheinungsjahr:: 2011

Titel der Serie:: Berliner Blätter ; Heft 57 (2011)

Größe der Vorlage:: 159 Seiten

Zusätzliche Information:: DVD-Beilage unter dem Titel: Museumsaufsichten - Stehen zur Kunst / ein Film von Lysette Laffin. - Beiträge teilweise deutsch, teilweise englisch

Signatur:: LB 14032 B515-57

Lizenz:: Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)

Sammlung:: Allgemeiner Bestand

Wissensgebiet:: Sozial- und Kulturanthropologie > Bibliografien und Nachschlagewerke; Sozial- und Kulturanthropologie > Ethnologie in der Praxis

Kapitel

Strukturtyp:: Kapitel

Titel:: Berliner Blätter, Heft 57, 2011

Sonstige Person:: Bose, Friedrich von; Poehls, Kerstin; Schneider, Franka; Schulze, Annett

Sammlung:: Allgemeiner Bestand

Kapitel

Strukturtyp:: Kapitel

Titel:: The Visitor Book. Visibility, Performance and Representation

Sonstige Person:: Bounia, Alexandra

Sammlung:: Allgemeiner Bestand

The Visitor Book | Visibility, Performance and Representation | Alexandra Bounia .. the visitor’s book, one in which visitors sign their names, e.g. at a hotel or a place of public interest. (Oxford Advanced Learner’s Dictionary) ... a book sometimes found in a hotel or a place of interest in which peo- ple who are visiting are asked to write their name, address and anything they would like to say about the quality of what they have experienced in the place (definition of visitors’ book from the Cambridge Advanced Learner'’s Dictionary) Introduction As a brief review of the historical research in museums suggest, the earliest visitor oooks were those of Aldrovandi’s museum in the late 16” century Bologna. His contemporary Conrad Gesner had also a Book of Friends signed by 227 visitors, whereas Francesco Barberini recorded in a Catalogue of [...] Learned Men the names of the viri illustres who came to his palace to see his library and museum. Ihe Danish Olaf Worm was also a proud owner of such a catalogue, where he re- corded the »royal persons and envoys« that asked to see his museum during their visit to Copenhagen (Findlen 1994, 136-137). These books were essentially what the definitions of the term »visitor book« describe, i.e. a list of names, occasionally including place of residence and profession. Findlen (ibid., 137) notes that »such visitors’ books immortalized the fame of a museum and its creator by record- ing their connection to the social, political and intellectual centers of power«; in ıther words, these lists were mainly a way for the important people of the period to record and therefore immortalize their presence and thus exchange impor- tance with the museum and its creator. It was a double-ended process, where the [amous granted value to the museum and the collection, whereas the value of the collection and the importance of its owner returned to the visitor providing him! with >»cultural capital«. But, as Findlen continues (ibid., 143), »apart from the 1,579 Gästebuch 0 — — ) —+ mx — ef — BE Ad YO T Br

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