Skandinavische Balladen des Mittelalters

Greverus, Ina-Maria

Zeitschrift für Ethnologie, 145.2020

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Monographie

Strukturtyp:: Monographie

Werks-URN (URL):: https://digi.evifa.de/viewer/resolver?urn=urn:nbn:de:kobv:11-713409

URN:: urn:nbn:de:kobv:11-713409

Persistenter Identifier:: BV047325509

Titel:: Skandinavische Balladen des Mittelalters

Herausgeber:: Greverus, Ina-Maria

Erscheinungsort:: Reinbek bei Hamburg

Verlag:: Rowohlt

Erscheinungsjahr:: 1963

Signatur:: 2023 SA 5944

Lizenz:: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

Sammlung:: Allgemeiner Bestand

Wissensgebiet:: Literatur und Sprachen > Verschiedene Sprachen; Sozial- und Kulturanthropologie > Kunst und Wissen

Kapitel

Strukturtyp:: Kapitel

Titel:: Ritterballaden

Sammlung:: Allgemeiner Bestand

Tomás Sánchez Criado: Anthropology as a Careful Design Practice? 51 (Escobar 2018). As I see it, these modes of caring for the possible through design may also provide appropriate openings to what anthropology could become: a practice that draws from non-modernist traditions of making and doing to enable the construction of experimental and collaborative spaces (Criado and Estalella 2018) to work ‘beyond text’ – such as in multimodal productions (Dattatreyan and Marrero-Guillamón 2019) – in the hope of producing distinct efects, ranging from the creation of platforms of collective inquiry to the unmaking, ‘undesigning’, or elimination of particularly harm- ful modes of world-making (n’UNDO 2017; Tonkinwise 2019). Hence, in what fol- lows, I explore what engagements in design might inspire avenues in which to redesign anthropology, perhaps opening up ways to materially care for the possible. However, as design is far from a unitary feld, I dwell here on how my encounters with urban accessibility activists and their practices of politicising design have led me to re-learn and experiment with what being an anthropologist means: that is, how to pry open the possible, and envision newer forms of anthropological inquiry and relevance. Activating Design Working in Barcelona, Munich and Berlin since 2012, I have closely engaged with activists, do-it-yourself amateurs, professionals and teachers in design and architecture concerned with urban accessibility and the articulation of more inclusive processes of city-making. In my work at the crossroads of anthropology and STS, with actor- network theory and other material-semiotic concerns about knowledge production as my main sources of inspiration, I have explored these activist modes of design from various approaches. For instance, I have alternated conventional feldwork with public administrators in their daily duties relating to accessibility, with many hours of ar- chival research at Barcelona City Hall, in an attempt to understand the impact of a representative body that channels the concerns of ‘people with disabilities’ into various forms of accessible urban planning and decision-making. I have also taken full part in a number of activist initiatives with urban accessibility and open, collaborative and inclusive design at their very core (Criado and Cereceda 2016). What attracted me to this feld of inquiry and intervention was that rather than a solution-centric practice with a clear-cut goal, it displayed a particularly careful form of knowledge politics. Indeed, urban accessibility activism could be described as the care- ful speculation ‘unsettling’ design relations: an inquiry into and a perpetual question- ing of what and who counts in design processes, ‘assembling neglected things’ (Puig de la Bellacasa 2017) in order to enable them to intervene in design practice; a technically democratic project with constant attention on the plural and many times unknown epistemic contours of contemporary issues and their modes of world-making; thus, producing situations in which to speculate with alternative epistemic distributions and materialisations of togetherness.

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