Mitteilungen der Anthropologischen Gesellschaft in Wien: Mitteilungen der Anthropologischen Gesellschaft in Wien, 3.F. 20=50.1920

Bouchal, Leo

Mitteilungen der Anthropologischen Gesellschaft in Wien, 3.F. 20=50.1920

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Werks-URN (URL):: https://digi.evifa.de/viewer/resolver?urn=urn:nbn:de:kobv:11-748132

URN:: urn:nbn:de:kobv:11-748132

Persistenter Identifier:: BV045430351

Titel:: Mitteilungen der Anthropologischen Gesellschaft in Wien

Weitere Titel:: Mittheilungen der Anthropologischen Gesellschaft in Wien

ISSN:: 0373-5656

Erscheinungsort:: Wien

Verlag:: Verlag der Anthropologischen Gesellschaft in Wien

Erscheinungsjahr:: 1871

Signatur:: NA 1104 und Pm 158:F8 u. Pm 158:F4

Lizenz:: Rechte vorbehalten - Freier Zugang

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

Wissensgebiet:: Sozial- und Kulturanthropologie

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Strukturtyp:: Zeitschriftenband

Werks-URN (URL):: https://digi.evifa.de/viewer/resolver?urn=urn:nbn:de:kobv:11-748453

URN:: urn:nbn:de:kobv:11-748453

Persistenter Identifier:: 1692091774551

Titel:: Mitteilungen der Anthropologischen Gesellschaft in Wien, 3.F. 20=50.1920

Weitere Titel:: Mittheilungen der Anthropologischen Gesellschaft in Wien

Herausgeber:: Bouchal, Leo

Herausgebendes Organ:: Anthropologische Gesellschaft

Erscheinungsort:: Berlin

Verlag:: Verlag der Anthropologischen Gesellschaft in Wien

Erscheinungsjahr:: 1920

Signatur:: NA 1104 und Pm 158:F8 u. Pm 158:F4

Lizenz:: Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

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Titel:: Sitzungsberichte, 1919/1920

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

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Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

268 Waane, Pottery-Making Traditions of the Ikombe Kisi shape of Ikombe pottery [viz next section]. In decoration, it does not have the Ngindi [viz next section], but is has the ‘dot’ or ‘letter’ type of decor ations at compass direction points on the shoulder of the pot. KIKALANGO [ranging in size from Kikalango, the smallest to Vikalango, Makalango and Mikalango, the largest, Photo 16 and 17]. This is the most general class of pots made at Ikombe. They are used primarily as cooking pots for bananas, rice and, for the larger ones, brewing and storing beer, or they might be storage pots for grain, beer and water. They are also the most marketed pots with standard decoration. Their normal and only decor ation is Ngindi [to be discussed in a later section]. KIFUNA [VIFUNA, pi. Photo 13 and 21]. These are smaller pots used largely for storing beer for the husband in the house. This is done when probably the wife has brewed beer either for general consumption or socio economic purposes but would like to keep some for the husband to be drunk later. When it is smaller than the normal size, it can be used as a beer drinking vessel. At times it may have handles (vikolelo, photo 21). KIJOLI [VIJOLI pi., Photo 9, 10 and 12]. This type is slightly bigger than Kifuna, made mainly for the Kinga. These people use them for storing Ulanzi, bamboo wine. When smaller than usual, they can be used as beer drinking vessels. NDELELE/NYANGAVYA [Photo 14]; This is a small hemispherical pot, fairly open at the top, used either for frying meat, fish or as a bowl for mboga (relish). In earlier days it was used specifically as a bowl rather than a frying pot, but this role is now being overtaken by aluminium ware. LWANSILU [NSILU pi.]: It is a small pot used as a regular frying pot for fish, meat and cooking vegetables, beans, etc. LUMENYU LWA KUEiMBILA [Photo 1]: or tournette (‘primitive’ potters wheel) used as a base for making all the other pots [Photos 2, 3, 4, 5, 6, 7, 8]. In spite of its general use and necessity, not everybody can make them. Most, people have to buy them from special potters. LIFUNIKO: This is a lid/cover, shaped like the brim of a hat, used as a general lid on all pots, especially cooking pots. Since 1974 there has been introduced an the village by Bi Catharina Kajander Reinhard, the making of flower vases [SEKURORO], cups, goblets and teapots which I generally refer to as the ‘tea assemblage’. These are being omitted from this discussion because of their known origin and archaeological irrelevance (at least at present). The nearest comparable range of pottery

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