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Tribus, 53.2004

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Titel:: Mitteilungen der Anthropologischen Gesellschaft in Wien

Weitere Titel:: Mittheilungen der Anthropologischen Gesellschaft in Wien

ISSN:: 0373-5656

Erscheinungsort:: Wien

Verlag:: Verlag der Anthropologischen Gesellschaft in Wien

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Persistenter Identifier:: 1692091468231

Titel:: Mitteilungen der Anthropologischen Gesellschaft in Wien, 3.F. 16=46.1916

Weitere Titel:: Mittheilungen der Anthropologischen Gesellschaft in Wien

Herausgeber:: Bouchal, Leo

Herausgebendes Organ:: Anthropologische Gesellschaft

Erscheinungsort:: Berlin

Verlag:: Alfred Hölder

Erscheinungsjahr:: 1916

Signatur:: NA 1104 und Pm 158:F8 u. Pm 158:F4

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Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

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Strukturtyp:: Zeitschriftenheft

Titel:: Bd. 46, 1916, Heft 5/6

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

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Titel:: Literaturberichte

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

Inhaltsverzeichnis

Tribus
Tribus, 53.2004
Vorderer Einband
Vorderer Buchspiegel
Vorblatt
Titelseite
Impressum
Inhaltsverzeichnis: Inhaltsverzeichnis
Zeitschriftenheft: N.F. Bd. 53, 2004
Protokoll: Bericht des Direktors über das Linden-Museum im Jahr 2003
Protokoll: Jahresbericht 2003 des Vorsitzenden der Gesellschaft für Erd- und Völkerkunde zu Stuttgart e.V
Protokoll: Berichte über Erwerbungenf im Jahr 2003 des Linden-Museums, Afrika-Referates, Orient-Referates, Südasien-Referates, Ostasien-Referates, Südsee- Referates, Nordamerika-Referates, Lateinamerika-Referates
Protokoll: Jahresbericht 2003 des Referates Museumspädagogik
Protokoll: Bericht des Referates Öffentlichkeitsarbeit für das Jahr 2003
Protokoll: Urheberrechtsverletzung im Internet: Das Linden-Museum am Rande internationaler Verwicklungen
Sonstiges: Organisationsplan Stand: 1.5.2004
Leerseite
Bujok, Elke: Errata zum Aufsatz: Der Aufzug der "Königin Amerika" in Stuttgart: Das "Männliche und Ritterliche Thurniert unnd Ringrennen" zu Fastnacht 1599 in Tribus 52, 2003:80-110
Leerseite
Knüppel, Michael: Einige Angaben zum Niedergang der Arinen bei Philipp Johann von Strahlenberg (1677-1747)
Leerseite
Oelschlägel, Anett C.: Religion des Alltags. Zur Naturreligion derTyva im Süden Sibiriens
Leerseite
Richtsfeld, Bruno J.: Gesar-Überlieferungen der Monguor (Tu)
Leerseite
Vangheluwe, Sam: In Reply to Dr. Eberhard Fischer's Review
Leerseite
Veit, Raphaela: Einige Beispiele für die Bedeutung und handschriftliche Ausgestaltung des islamischen Bittgebets du´â`
Leerseite
Veit, Raphaela: 1200 Jahre islamische Kalligraphie: Die Privatsammlung von Annemarie Schimmel
Völker, Andrea: Besucherorientierung im Linden-Museum Stuttgart. Ausgewählte Ergebnisse einer Besucheranalyse im November 2003
Zahorka, Herwig: The "Palang" Phenomenon and its Historic and Socio-Cultural Background in Southeast Asia
Abbildung: Hinggi kombu from Pau village, Southeast Sumba, 1920s. Collection of Herwig Zahorka
Abbildung: 3. Some Selected Ceremonial Cloth with Typical Palang Motif A lau pahudu (ceremonial sarong) of East Sumba. This piece is a combination of a kett ikat textile in the upper part and a textile woven in the supplementary-warp technique in the lower part. The right picture shows the male figure typically equipped with a palang and surrounded by symbolic skull trees. Collection of Herwig Zahorka. Examples of traditional palang depictions with dancing men on three lau pahudu (ceremonial sarongs) from East Sumba. The position with raised arms is called anatolomili, and that with lowered arms is the tukakihu motif. 5 photos by Herwig Zahorka
Abbildung: Photos by Herwig Zahorka Left: The National Museum in Jakarta stores this 1.98 m tall lingga from Candi Sukuh, Central Java.The stele is equipped with crosswise-attached four balls below the glans.The Jawa Kano inscription flowing down like sperm reads, "The characteristics of the male sexuality is the essence of the world". An incised Kris enhances the magic power of that huge lingga with balls. Center: This unfinished coarse lingga with four balls at the National Museum is 86 cm high and measures 38-44 cm across. There is no inv.no., however, the Oudheidkundige Dienst at Leiden hosts an older photograph of it under the "Fotonummer 14233". The provenience and the age are unknown. Right: A Bhima statue at the (now closed) Museum Malik in Jakarta from the 15th century. Height 108 cm. Under the loin cloth appears an oversized phallus clearly equipped with four big balls (three visible) just behind the glans
Abbildung: Photos by Herwig Zahorka The Jalatunda Relief originates from the holy spring "Pancuran Air" at Penanggungan, East Java. It was established at about 1100 AD. The face of Bhima has been forcefully destroyed and the evidently originally existing massive penis balls behind the glans have been chopped off. [...] Here are three more examples from that terraced Hindu shrine Candi Sukuh. Photos by Herwig Zahorka Left: A monumental headless statue with an oversized phallus with four balls (three visible). It stands at the right side of the pyramid-shaped main building. The meaning is unknown. By no means it depicts Bhima. [...] Center (p.189): This sculptured figure is located at the left wall of the temple. The head and the upper part of the body are lost. The phallus is clearly equipped with two balls. Whether it depicts a special individual is not known. A drawing of that torso was already published by Seltmann 1975. Right (p. 189): The location of this erotic sculpture is on the ground of the entrance hall. The male and the female sexual organs are represented in a very realistic style. Obviously, three original balls on the phallus just behind the glans have been chopped off. This motif was often published already with regard to the "erotic" Candi Sukuh temple.
Abbildung: Photos by Herwig Zahorka Left: This statue of a meditating man sits close to the entrance of Candi Ceto. Below his loincloth is the foremost part of his phallus visible with attached balls. Center: On the ground at one of the lower terraces lies this large composition (reconstructed) with a huge lingga with four balls (three visible).[...] Right: At the highest terrace stands this elaborate lingga with three attached flattened balls. A fourth ball seems to have been lost. Fresh red flower offerings prove of its veneration. Photos by Herwig Zahorka Though, in Sumatra no stone monuments of phalli with balls are found and in Kalimantan only wooden statues with palangs of Dayaks tribes exist, some textiles showmale figures with phallus augmentation. On the left side is a cloth of Lampung, Sumatra, with four standing men wearing palangs below their sarongs. On the right side is a textile of Iban Dayak, West Borneo
Abbildung: Photos by Herwig Zahorka The Pura Kebon Edan houses the most imposing statue of the island called the "Pejeng Giant" (above). Kebon Edan means "The Mad Bull". The faceless giant is about 3.96 meters tall. Prancing in an aggressive dance, the giant crushes two human figures, a man lying on a woman, with his snake-encoiled feet. This "Bhima Bhairawa" is the destructing magic aspect of god Siva. [...] This monument dates to the 13th or 14th century and originates probably from Java. A likewise crosswise perforation with two penis pins inserted across is seen on this photograph of the early 20th century. It was taken from a Ngadju Dayak headhunter in Central Borneo. Due to the custom of the Dayak the glans not the corpus cavernosum is perforated. However, to pierce the glans crosswise was a privilege of chiefs and of successful headhunters
Abbildung: The Pura Pusering Jagat harbors two shrines with exceptional examples of phalli with balls. Photos by Herwig Zahorka One of those shrines houses a lingga and a yoni, both very naturally sculptured (above). [...] Clearly visible, the lingga was originally furnished with four balls which were forcefully removed. It seems that the two balls on the sides were bigger than the two in front and rear. These sculptures belong to the same period as that of Kebo Edan and may have belonged to a Tantric complex six hundred years ago. The other shrine at Pura Pusering Jagat harbors a dancing Tantric Bhima in Bhairawa attitude. Photos by Herwig Zahorka From left: The shrine with the aggressive dancing Bhima, the statue in total, and a detail with an explaining drawing. This Bhima's phallus is equipped with only two balls just behind the glans, one on top and one below the corpus cavernosum. Whether in Bali a penis perforation was executed is still doubtful
Abbildung: Photos by Herwig Zahorka Left: A Balinese painting shows the local type of a special penis application: a ring with two crescent-shaped barbs. Some wooden Cintya statues in the collection of the Museum Nasional are equipped with similar shaped barbs on their sexual organ. Cintya is a symbol for Sanghyang Widi, the creator in Hindu-Bali's religion. Center: A Lau Pahudu from the Catholic Mission's Museum in Ledalero, Flores, depicting men with palangs. Origin East Sumba? Right: The penis insert here is disguised as a loin cloth. This is a new ikat textile. Origin unknown. Photos by Herwig Zahorka A and B: Two demonic figures on reliefs at Candi Sukuh, Central Java. Both characters wear penis balls. C: This is a drawing of the Balinese demon "buta ènggèr". It confirms the custom of wearing small bells on the penis. Collection of Van der Tuunk, Library of the University Leiden, 3390/10. D (p. 193): A wooden figure placed on a way to a Dayak longhouse in Borneo. With the extremely long peg across its glans penis, that deterrent figure is destined to scare away sickness-bearing spirits. Photo by Tillema, publ. 1990
Abbildung: Photos left and right by Herwig Zahorka Left: A wooden figure with an ithyphallic component of Batak/Sumatra origin in the collection of the National Museum. The two balls are at the top of the erected penis. Center: A lau pahudu of East Sumba. The depicted men wear crowns (lamba) and typical palangs. Collection of Barbier-Müller-Museum, Geneva, no.inv. 3651-AB. Right: A Polynesian style stone figure in the National Museum. It is supposed to be from 3rd or 4th century AD. No.inv. 227/4. H 92, W 37.5, L 30 cm. Probably it is the oldest figure showing a phallus with two balls on the sides. 4.3 Jewlry with a phallus and balls Photos by Herwig Zahorka Left and Center: Necklace (kalung), gold, 30.5x28x7cm, from 8th or 9th century AD. Origin: Gegerbitung village, Sukabumi, West Java. National Museum no. inv. 1483. [...] Right (p. 194): A bronze phallus from three sides. It is a 4.5 cm long pendant in the shape of a phallus with three massive balls. For technical reason the fourth ball could not be cast. Its origin is Patjitan, Central Java. National Museum Jakarta, no.inv. 1483a
Abbildung: 5. Penis Perforation Patterns and Insert Devices Photos by Herwig Zahorka Left: What looks like a double ring is the symbol of a metallic penis ring. The ring is fixed with a peg pinned through a horizontal perforation of the corpus cavernosum generally just behind the glans penis. Center: This is the symbol of the most common "palang". The central peg which generally perforates the glans penis and the urethra has rounded protuberances on its ends which can turn. Mostly found in Borneo, known also in Sulawesi, Sumba and other islands. Right: This sign with two vertical triangles depicts the typical Toraja/Sulawesi penis insert called takki or talede. The corpus cavernosum is vertically perforated together with the urethra just behind the glans penis. The peg ends at both sides with a hemispherical protuberances or with flaps of leather
Abbildung: A shows a penis ring and how it is fixed with a peg through the penis generally just behind the glans. B delineates the most common insert of which the "palang" or "ampalang" got its name. The Kayan and the Iban call it "utang", the Toraja have the names "Kambiong" and "Kambi". The wheel-shaped or rounded protuberances on both ends canspin and often look like flowers, therefore the name "bunga terong". [...] C This infibulation is rarely reported. However, it is applied with the crosswise double perforation of Dayak chiefs. D The phalli of mosarcheological monuments shown above are equipped with these balls. E This is a Toraja type of perforation and insert which is of bone, wood or of precious metal with Anoa leather flaps. F and G show frenulum inserts (Zahorka 1986). The frenulum praeputium is perforated. The insert is of soft wood (F), or it exists of the hair of various animals (G), mostly of a horse. While these inserts are only to enhance the pleasure of coitus of the woman, the others have the additional function to prevent pregnancy as in most cases the urethra is perforated by the bar and blocks ejaculation during intercourse. H These are four examples of the various woven motifs of penis inserts depicted on ceremonial cloths. Left and right photo by Herwig Zahorka Left: This large ikat of East Sumba from the collection of Herwig Zahorka presents four three-faced male figures obviously equipped with frenulum inserts of animal hair which there they call it ruihi mjarat or pakilli. This most simple insert is wide spread in Timor, Flores, Roti, Sumba, and Sumbawa and also applied in Borneo and Sulawesi.Center (p. 196): A ceremonial wrap of Flores with the frenulum insert. They name it lua in Ngada and fu or wulu in Ende. Right (p. 196): This is the glass sheet of a modern ceiling lamp in Hotel Mahkota, Pontianak, West Kalimantan. The demonic figure shows a sexual organ probably with similar hair inserts. It calls the Balinese barbs to mind
Abbildung: Left: Probably the first photograph of a man with palang in situ. It was published 1968 by Appell and is supposed to have been made by a member of the Furness-Hiller Borneo expedition 1897 or 1898. Center: This photograph is signed "J.Demmeni phot." The caption reads "Commissiereis naar Centraal-Borneo 1898-1900". That was the great Borneo expedition of Dr. Nieuwenhuis. [...] This photograph is fixed on a copper plate and stored in the National Museum in Jakarta. A second plate exists in the Netherlands. Right: The National Museum in Jakarta owns a set of 13 palangs, no.inv. 20608, collected in 1929 by the German researcher von Kühlewein in villages of the Bahau tribe along the upper Mahakam. It seems, all are "placeholders", not for intercourse
Abbildung: This is my palang collection (coll. Herwig Zahorka) which I gathered between 1994 and 1999. From above: The palangs no. 1 to no. 6 are designated to block the urethra during intercourse. They are "intercourse palangs". No. 7 only is a "placeholder"
Abbildung: Photo by Harwig Zahorka 1994 Photo by Herwig Zahorka 1999 Left: The Punan Aput, owner of the small intercourse palang no. 1 (above), wears a wooden placeholder. At the time when men still wore loincloth (cawat), the placeholder usually was a long bar. Nowadays, modern underwear is used which affords a short pin. The urethra is perforated. Right: This is palang no. 5 in situ with a Dayak Kenyah Uma Ma'ut man. To remove this adja carefully needed 20 seconds. The urethra is perforated. Photos by Herwig Zahorka Left: A modern Tempayan (ceramic jar) with the Sumbanese palang motif seen in department store Sarinah, Jakarta. Right: A modern ikat cloth with modified Sumba motifs. The men are equipped with peculiar penis augmentations
Abbildung: Photo by Herwig Zahorka The left one is from Lampung, Sumatra, woven with the supplementary-warp technique. It depicts a man with sarong and with the typical palang design. On the right is a kett ikat from East Sumba with the anatolomili and the palang motifs sided by symbolic head trees
Zeitschriftenrezension: Eggert, Manfred K. H.: Prähistorische Archäologie: Konzepte und Methoden
Zeitschriftenrezension: Erlandson, Jon M.: Early Hunter-Gatherers of the California Coast
Zeitschriftenrezension: Gaudzinski, Sabine / Turner, Elaine, et al.: The Role of Early Humans in the Accumulation of European Lower and Middle Palaeolithic Bone Assemblages - Ergebnisse eines Kolloquiums
Zeitschriftenrezension: Gründer, Horst: Eine Geschichte der europäischen Expansion - Von Entdeckern und Eroberern zum Kolonialismus
Zeitschriftenrezension: Kraus, Michael / Münzel, Mark (Hrsg.): Museum und Universität in der Ethnologie. (Reihe Curupira Workshop, Band 8)
Zeitschriftenrezension: Müller-Beck, Hansjürgen / Conrad, Nicholas J. / Schüle, Wolfgang (Hrsg.): Eiszeitkunst im Süddeutsch-Schweizerischen Jura - Anfänge der Kunst
Zeitschriftenrezension: Peschlow-Bindokat, Anneliese: Frühe Menschenbilder - Die prähistorischen Felsmalereien des Latmos-Gebirges (Westtürkei)
Zeitschriftenrezension: Stoczkowski, Wiktor: Explaining Human Origins - Myth, Imagination and Conjecture
Zeitschriftenrezension: Szmidt, Carolyn: The Mousterian in Mediterranean France - A regional, integrative and comparative perspective. BAR International Series 1147
Zeitschriftenrezension: Weniger, Gerd-Christian: Projekt Menschwerdung - Streifzüge durch die Entwicklungsgeschichte des Menschen
Zeitschriftenrezension: Wieczorek, Alfried / Rosendahl, Wilfried (Hrsg.): MenschenZeit - Geschichten vom Aufbruch der frühen Menschen. Publikationen der Reiss-Engelhorn-Museen, Bd. 7
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Autorenindex
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Hinterer Buchspiegel
Hinterer Einband
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Volltext

Herwig Zahorka:The “Palang” Phenomenon in Southeast Asia 
193 
Photos A and B by Herwig Zahorka 
A B C D 
A and B: Two demonic figures on reliefs at Candi Sukuh, Central Java. Both charac 
ters wear penis balls. 
C: This is a drawing of the Balinese demon “buta engger". It confirms the custom of 
wearing small bells on the penis. Collection of Van der Tuunk, Library of the Univer 
sity Leiden, 3390/10. 
Photos by Herwig Zahorka 
Left: A Balinese painting shows the local type of a special penis application: a ring 
with two crescent-shaped barbs. Some wooden Cintya statues in the collection of the 
Museum Nasional are equipped with similar shaped barbs on their sexual organ. 
Cintya is a symbol for Sanghyang Widi, the creator in Hindu-Bali’s religion. 
Center: A Lau Pahudu from the Catholic Mission’s Museum in Ledalero, Flores, 
depicting men with palangs. Origin East Sumba? 
Right: The penis insert here is disguised as a loin cloth. This is a new ikat textile. Ori 
gin unknown. 
4.2.3 More figures and Demons with penis inserts to scare evil spirits 
Not only powerful rulers with magic properties and legendary spiritual characters 
are often depicted with that scaring symbol of resolute power. Also scaring demons 
and protecting figures are equipped with these power and bullying indicting penis 
inserts.

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