Baessler-Archiv: Baessler-Archiv,  17=42.1969

Baessler-Archiv, 17=42.1969

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Zeitschrift

Strukturtyp:: Zeitschrift

Werks-URN (URL):: https://digi.evifa.de/viewer/resolver?urn=urn:nbn:de:kobv:11-714814

URN:: urn:nbn:de:kobv:11-714814

Persistenter Identifier:: BV044347945

Titel:: Baessler-Archiv

Untertitel:: Beiträge zur Völkerkunde

ISSN:: 0005-3856

Erscheinungsort:: Berlin

Verlag:: Reimer

Erscheinungsjahr:: 1910

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

Wissensgebiet:: Sozial- und Kulturanthropologie > Allgemeines

Zeitschriftenband

Strukturtyp:: Zeitschriftenband

Werks-URN (URL):: https://digi.evifa.de/viewer/resolver?urn=urn:nbn:de:kobv:11-711380

URN:: urn:nbn:de:kobv:11-711380

Persistenter Identifier:: 1499063344266

Titel:: Baessler-Archiv, 17=42.1969

Erscheinungsjahr:: 1969

Signatur:: LA 1255

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

Zeitschriftenheft

Strukturtyp:: Zeitschriftenheft

Titel:: N.F. Bd. 17, 1969, Heft 1

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

Zeitschriftenartikel

Strukturtyp:: Zeitschriftenartikel

Titel:: The role of plastiv art traditions in Tanzania. The Norteastern Region

Sonstige Person:: Hartwig, Gerald W.

Sammlung:: Zeitschriften und Zeitungen > Zeitschriften zur Ethnologie

40 Hartwig, Plastic art traditions in Tanzania Providing sculpturing traditions in eastern Africa receive increased attention in the immediate future from persons undertaking field research, our know ledge will become more complete and our understanding will be increased greatly. The above observations are based upon visits to museums, the com pilation of an extensive bibliography, and field work among the Kerebe. They serve to illustrate how far we must go before achieving a working knowledge of sculpturing in eastern Africa. Simultaneously, it provides suggestions for the direction research must take if sculpture in East Africa is to be taken out of the awesome shadow of sculpture from western Africa and assessed on its own merits. The examples of sculpture illustrated from northeastern Tanzania have been selected on the basis of their use in a cultural context. They represent sculpture that, as far as can be determined, was uninfluenced by Europeans, unless otherwise indicated. It represents a platform from which investigation must be launched - into the twentieth century and back into the nineteenth century.

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